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scottdpomfret

Seanachie: A Boston Irish Storyteller and Part-Time Shaman

Books about place, magic, Faeries, Ireland, sex, God, and love

Currently reading

New Orleans as It Was
Charles "Pie" Dufour, Henry C. Castellanos
New Orleans after the Civil War
Justin A. Nystrom
Visions and Beliefs in the West of Ireland (complete: First & Second Series)
Isabella Augusta Persse (Lady Gregory)
Bright Dead Things: Poems
Ada Limon
The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life
Mark Manson
Desire: Poems
Frank Bidart
Selected Poems 1976-2012
Jorie Graham
An Anthology of Modern Irish Poetry
Wes Davis (Editor)
I Am An Executioner: Love Stories
Rajesh Parameswaran
An Artist of the Floating World
Kazuo Ishiguro
Eileen - Ottessa Moshfegh

David Sedaris is pitching this disturbing novel on his book tour and reports he was tipped to it by John Waters, so I absolutely had to check it out, particularly after Sedaris read a particularly distressing account of a lengthy and troubling bowel movement punctuated with the line: "This was the best of times."

And the recommendations from these two twisted masterminds Sedaris and Waters makes perfect sense. This is a colossally honest, brutal, slightly kinky book narrated by a woman growing up somewhere smalltown and distant and perhaps 1960s vintage who has a massive but inexperienced erotic imagination. Most of the time, she is relating the particulars of her narrow experience spent between a home life with an almost comically alcoholic father and her day job at a prison for boys. But there is a point in this novel where a mere two sentences change this novel from a commentary of smalltown manners to something real and explosive that takes the breath away.

The weakness of the book is that it is narrated from a perspective fifty years hence, and the distance is a bit chilling and leaves a large unsatisfying void (which, perhaps, the author will fill with a sequel, since the narrator hints at continued crazy adventures in the years inbetween the events and the narration).